

#MY KINGDOM FOR THE PRINCESS 3 ACCESS VIOLATION FIX SERIES#
Both series feel both epic and intimate, but in distinct ways. Where Game of Thrones sprawled over huge swaths of geography, House of the Dragon sprawls through time, jumping forward each episode to show us how characters change as they marry, become parents, and more. Whereas Game of Thrones told the stories of several powerful families at war with each other while an inhuman menace grew in the far north, House of the Dragon focuses on one family at war with itself. The new series also feels different structurally. House of the Dragon takes place nearly two centuries before Game of Thrones, and it feels like a gentler, more sophisticated time, even if the avarice that suffused the original show lurks right beneath the surface. House of the Dragon channels the spirit of Game of Thrones without feeling like a retreadĪt the same time, this isn’t just Game of Thrones season 9. Game of Thrones had a lot of scenes that have rightly been called shocking, and House of the Dragon quickly proved that it could hang. The scene where King Viserys orders a caesarian section be performed on his wife Aemma without her knowledge is absolutely harrowing, and hit harder than perhaps it meant to given what’s been in the news lately. House of the Dragon also proved that it was a show willing to take risks. We could launch right into the drama surrounding King Viserys’ succession, and we did. House of the Dragon hit the ground running, in part because Game of Thrones had done a lot of the heavy lifting where the lore and world were concerned. We knew what they wanted and it was easy to sympathize with all of them to different degrees. Characters like King Viserys Targaryen, his brother Daemon and his daughter Rhaenyra immediately jumped off the screen. With its premiere episode, House of the Dragon established that not only did it have a cast of characters worth following, but that it was willing to take them places. For example… House of the Dragon quickly establishes compelling conflicts Happily, House of the Dragon has also excelled in other categories that are trickier to manage no matter how much money you throw at them. For the money HBO is spending on it, House of the Dragon had better look and sound fantastic. For better or worse, that’s something we take for granted in the age of multi-million dollar super-shows.

And not just that the show is gobsmackingly beautiful to look at and listen to, with gorgeous costumes, special effects and music.

But if we were going to tinker anyway…īut before we go negative, let’s praise some of the stuff House of the Dragon has done well, cause there’s a lot of it. No one needs to “fix” House of the Dragon because it isn’t broken. In this article, I want to outline how I think some things could have gone more smoothly, just to get it all out of my system before the back half of the season begins. Martin’s Fire & Blood - or storytelling choices that have hurt more than they helped, there are some things on House of the Dragon that have stuck in my craw. Whether it’s puzzling changes from the source material - George R.R. More importantly, the show has summoned up the same excitement that Game of Thrones did, all while distinguishing itself with a new cast of characters and storyline that have proved gripping in their own right. So how did the first half of the season go? Pretty darn well! The show is a huge hit for HBO, posting numbers far beyond where Game of Thrones was during its first season. The friendship between Rhaenyra Targaryen and Alicent Hightower is well and truly over, King Viserys I Targaryen has lost control over his court, and the show is about to jump forward 10 years in time, after which several of the actors will be replaced. The most recent episode of House of the Dragon, “We Light The Way,” felt like a turning point.
